On Conception, Creativity, and the Moment Between
There is something quietly fascinating about the way artists talk about their own work… not the finished image, but the moment behind it.
I came across a piece recently by Renata Natale that stayed with me longer than I expected.
Not because of the image alone, but because of the thought behind it.
She referenced a definition of conception by William James:
“Denotes neither the mental state nor what the mental state signifies, but the relation between the two.”
It is one of those lines you read once… and then find yourself circling back to.
Her photograph was taken in winter, rain falling, ice on the lake, snow underfoot. Nothing staged. Nothing carefully constructed. She was walking, shooting as she moved, the result a natural blur, a double image, something almost dreamlike. Only later, in development, did the connection reveal itself. The image was not just what she saw… but what she felt.
And that kind of distinction matters, because we often talk about art as outcome.
Composition. Technique. Finish.
But far less often do we sit with that space in between… the moment where thought becomes form, even if the artist is not fully aware of it at the time.
What struck me most was not the process, but the realisation and understanding that came after, and that, perhaps, is where things become more interesting.
We are currently in a space where the conversation around art is becoming louder… what qualifies, what does not, what is made, what is generated. It is easy to reduce the discussion to surface-level arguments.
But pieces like this gently shift the focus back to something far more difficult to replicate… the relationship between thought and expression.
Not just the image or the idea….but the connection between the two.
Renata writes about imagination as something inherent, something gifted, something that flows through us whether we are fully conscious of it or not. Whether one agrees entirely or not is almost beside the point. What matters is that the work exists as a result of lived experience, perception, and reflection and that is where many artists underestimate themselves.
It is not always the deliberate choices that define a piece. Sometimes it is the unguarded ones. The instinctive movement. The moment you did not stop to overthink.
The photograph taken while walking downhill in the rain.
The decision to render it in black and white.
The instinct to push it further into something surreal.
And only then… the understanding of what it is.
If you would like to read her full piece, it is here: https://renata-natale.pixels.com/blogs/1-conception.html.
Sometimes the most interesting part of art is not what we set out to create… but what quietly reveals itself once we are done.

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